Jessica Jones - AKA The fan-made Season 2

My version of Jessica Jones Season 2. Huge Spoiler-Alert if you haven't watched it yet. Not quite sure what's going to happen yet, but it'll be exciting! Warning for canon swearing and violence.

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3. Scene 2

CUT TO:

INT. TRISH'S APARTMENT - DAY

TRISH, dressed in black leggings and black crop top, wipes her face with a towel as she walks out of her training room. She is sweaty and breathing hard. She heads to the kitchen. On the table sits a box, recognisable as the one her mum left at the end of season 1 [IGH]. Trish glances at it as she walks towards the fridge. She takes out a bottle of sparkling water and sighs.

 

Trish

Goddammit. Why can nothing ever just be simple?

 

She sits down at the table, pulling a file from the box towards her.

 

TRISH

Five months. Five months I've been searching through these files.

And what have I found?

 

She laughs bitterly.

 

TRISH

Zilch. Well, not quite. Nothing important, anyway.

If only Jess would help.

 

She sighs and opens the file. For a few moments, she reads, making notes on a tablet. Then her phone rings. She groans, fishing it of a pocket in the jacket hanging on the back of the chair.

 

TRISH

Speak of the devil.

 

She answers.

 

TRISH

Hey, Jess.

 

JESSICA (O.S)

Hey. Listen, Trish, I need a favour.

 

TRISH rolls her eyes and gets up, pacing.

 

TRISH

'Course you do. What is it this time?

 

JESSICA (O.S)

Could you tell this policeman that he really doesn't need to arrest me.

 

TRISH sighs, shaking her head.

 

TRISH

What have you done this time?

 

JESSICA (O.S)

I may have punched someone

(Pause)

  Well, maybe more than one.  

 

TRISH

Jess...  

 

JESSICA (O.S)

Only one of them is in hospital though. So would you be

able to come and pick me up? This policeman seems to think

I need someone responsible with me.

 

TRISH

I'm on my way. But you've got to stop this, Jess.

One day you'll be the one in hospital.  

 

JESSICA (O.S)

I can look after myself.  

 

TRISH

I know you can, but -  

 

The dial tone sounds. TRISH slams the phone down on the table.  

 

TRISH

Goddammit.  

 

She goes into her bedroom and shuts the door. Sounds of clothes being flung around can be heard. A few moments later she reappears, dressed now in jeans and a jacket. She picks a set of keys and her phone up from the table and leaves the flat.  

 

Cut to:

 

INT. POLICE STATION - DAY

 

The reception area of the station, seen in season 1. A bored looking policeman stands behind the desk. JESSICA leans on the wall, watching TRISH who is signing a piece of paper on the desk.  

 

POLICEMAN

Miss Jones, this is not the first time you've been in here for

antisocial behaviour. If it was to me, you'd be spending at least a

night in a cell, but apparently you've got friends higher up.

You can go - with a warning. Next time, there will be consequences.  

 

JESSICA doesn't look at him. He smiles at TRISH, who doesn't smile back. She hands him the paper.  

 

POLICEMAN

Thank you. Look after her, miss.

She doesn't deserve to have a friend like you.  

 

TRISH

Who exactly told you she could go?  

 

POLICEMAN

My supervising officer. She said something 'bout a couple of lawyers?

Ask your friend.

(Gestures at JESSICA).

She should know.  

 

TRISH glances at JESSICA, who doesn't respond. She looks back at the POLICEMAN and smiles brightly.

 

TRISH

Well, thank you, Officer...

 

She peers at his badge.  

 

TRISH

...Bailey. I'll look after her. Let's go, Jessica.

 

She turns and walks away. JESSICA follows. Camera follows them outside.  

 

Cut to:

INT. CAFE - DAY

 

First person POV. See JESSICA and TRISH walk past the window. The camera shakes slightly as the person gets up and walks out the café. See JESSICA and TRISH walking away. Camera pans down. See a hand holding a phone. The person dials a number then puts the phone to their ear, off screen. A male voice can be heard.  

 

MAN

Hello.

(Pause)

Yes. Target is on the move. Engage?

(Pause)

Of course, ma'am. No engagement.

I'll meet with Alpha and Beta at the arranged time.

Delta over and out.  

 

The camera pans around as the person turns and walks away.  

Blackout 

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